2026 an t-Sultain:Arcaibh / Sept. Orkney

Le seaboardgàidhlig

Arcaibh

Preasaichean / cupboards

‘S ann o chionn 17 bliadhna a sgrìobh mi mu Arcaibh an seo an uair mu dheireadh – mar sin saoilidh mi nach bi cuimhne aig cus daoine air! Co-dhiù, bha mi ann a-rithist iomadh turas san eadar-àm, a’ gabhail a-steach an t-seachdain sa chaidh, ann an sìde mìorbhaileach, agus bha mi airson beagan a bharrachd a sgrìobhadh a-nis, gu h-àraidh mu bhàrr-phuingean nach eil, ‘s dòcha, ceart cho iomraiteach. 

Bha mi ann còmhla ri caraid à Ameireaga nach robh riamh ann an Arcaibh, mar sin b’ fheudar dhuinn na làraichean arc-eòlais as ainmeil fhaicinn, mar Bhràigh Sgàra – bha sinn a’ fuireach faisg air làimh, aig taigh seann charaid dhomh, is na sean-phàrantan aice nan ciad luchd-glèidhidh den làrach. Bha e inntinneach mothachadh gun robh dreasairean no sgeilpichean cloiche gan cleachdadh tro na linntean, ann am Bràigh Sgàra (3000 BC), ann an Taigh-Tasgaidh Tuathanachais Kirbister (taigh c. 1600-1750), agus fiù ‘s san t-seann taigh thradiseanta (na thobhta) ri taobh taigh nam charaid (c.1850-1900)! Mura h-eil craobhan agad, cleachdaidh tu clach…

Ach tha puing inntinneach eile ri fhaicinn aig làrach Bràigh Sgàra, is sin an House of Skaill – tha an dà chuid air an aon tiocaid. ‘S e taigh mòr eachdraidheil a th’ ann, air a thogail 1620 leis an Easbaig Seòras Greumach, leis an aon teaghlach o chionn 400 bliadhna (na Lairds of Breckness), agus gach fear dhiubh a’ cur rud eile dhan taigh is dhan ghàrradh.  ‘S e an 7mh Laird, William Watt, a lorg am baile fon talamh ann an 1850 às dèidh stoirm-ghainmhich mòir. Mar sin tha an taigh làn eachdraidh – an togalach fhèin, le seòmraichean brèagha soilleir, is seallaidhean àlainn air a’ mhuir, agus cuideachd an àirneis, na dealbhan, am pòrsalan, agus na taisbeanaidhean beaga tarraingeach air feadh an àite. Tha fiù ‘s soithichean-dìnneir aig Captain Cook rim faicinn! Fàg ùine gu leòr airson an taighe nuair a bhios tu air làrach a’ bhaile.

House of Skaill

Tha Cearcall Bhrodgar agus Tursachan Stenness faisg air làimh agus thadhail sinn orra air an t-slighe a Maes Howe (c.3000 BC). Tha e doirbh tiocaidean fhaighinn airson dol a-steach, ach rinn sinn an gnothach an turas seo (bhuc mi mìosan na bu thràithe) agus abair gun robh sin inntinneach, le mìneachadh bho neach-iùil fìor mhath (is àbhachdach). Chan fhaod thu dealbhan-camara a thogail taobh a-staigh na h-uaighe, ach ‘s e àite sònraichte tarraingeach a th’ ann, rud beag mar chaibeal àrd, le graffiti Lochlannach – bhris iad a-steach anns an 12mh linn. Feumaidh tu cromadh sìos gus faighinn tron trannsa dhan bhroinn – sin far a bhios solas na grèine a’ boillsgeadh a-steach air latha leth a’ gheamhraidh. B’ fhiach am bucadh tràth!

Eadar Stromness agus Baile na h-Eaglaise thug sinn an rathad beag air a’ chosta, slighe thaistealach Naoimh Magnus, gus tadhal air Oir Thìr, làrach tobhta eaglais cruinn às an 11mh linn. Chaidh a togail ann an cruth Eaglais an Tuaim Naoimh le Iarla Haakon, às dèidh dha tadhal air Ierusalam. Ri taobh bha “bu”, no talla Lochlannach, ‘s dòcha am fear aig Haakon air an robh iomradh san Orkneyinga Saga (air a bheil taisbeanadh san taigh-tasgaidh bheag ri thaobh, ga ath-uidheamachadh an-dràsda).

Oir Thìr / Orphir

Nuair a ràinig sinn Baile na h-Eaglaise, bha seirbheis tìodhlacaidh anns a’ chathair-eaglais, mar sin thug sinn sùil air tobhta mhòr dhrùidhteach Lùchairt an Iarla agus Lùchairt an Easbaig bho thaobh a-muigh, pairc beag snog eadarra, le seann chraobhan àrda, agus às dèidh sinn thadail sinn air Taigh-tasgaidh Arcaibh ann an Tankerness House, seann taigh marsantach ann am meadhan a’ bhaile. Bha mi air dìochuimhneachadh dìreach cho mòr ‘s cho tarrraingeach a bha e – ri mholadh gu mòr ma bhios tu ann am Baile na h-Eaglaise. An uair sin chaidh sinn a-steach dhan Chathair-eaglais Naoimh Magnus. Tha mi cinnteach gu bheil mòran dhibh eòlach oirre mar-thà, togalach àrd àlainn, mìorbhail às na Meadhan Aoisean (bho c. 1137), ach ma bhios, mholainnse an ath thuras sùil nas mionaidiche a thoirt air na leacan-uaighe eachdraidheil air an cur air fad nam ballachan, mòran le “mementi mori” iongantach orra. Agus na dìochuimhnich an cuimhneachan àlainn marbail air a’ ghaisgeach ionadail is eadar-naiseanta John Rae, taisgealaiche Artaigeach cudromach.  

Agus ma bhios ùine agaibh, tha na tursan tro thaigh-staile Highland Park fìor inntinneach – agus airson na prìs gheibh thu trì dramaichean (neo driver’s pack) agus fiù ‘s glainne ri toirt leat – barrachd is anns na taighean-staile eile!

Caibeal Eadalteach,Bacaidhean Churchill, Òb Maighreid / Italian Chapel,Churchill Barriers, St Margaret’s Hope

Bha sinn air an rathad dhan bhàta-aisaig an uair sin, an t-slighe eadar Òb Maighreid agus Bàgh Ghill,  a tha nas giorra (agus nas saoire) na Stromness- Scrabster. Air an rathad seo bi thu a’ dràibheadh thairis air na Bacaidhean Churchill, leis na longan-briste meirgeach, agus cuideachd seachad air a’ Chaibeal Eadailteach air Lamb Holm, an-còmhnaidh airidh air tadhal – thug e buaidh mhòr oirnn a-rithist. Dhomhsa ‘s e sin an t-slighe as fheàrr gus Arcaibh fhaicinn.

Tha mi an dòchas a-nis gun do bhrosnaich mi sibh uile a dhol ann sibh fhèin – a-rithist, no airson a chiad uair!

+++++++++++++++++++++++++++++++++

Orkney

It’s 17 years since I first wrote about Orkney here, so I imagine most of you have forgotten it! In the meantime I’ve visited Orkney quite a few times, including last week, in beautiful weather, so I thought I’d write about it again, especially highlights that are maybe less well-known.

I was there with an American friend who’d never been before, so of course we had to see all the famous archaological sites, like Skara Brae – we were staying nearby with an old friend of mine whose grandparents were the first wardens of the site. It was interesting to note that stone dressers or shelves were in use across the centuries, in Skara Brae (3000 BC), in Kirbister Farm Museum (farmhouse c. 1600-1750), and in the old ruined cottage next to my friend’s house (c. 1850-1900)! If there are no trees, use stone…

But there’s another point of interest at the Skara Brae site – the House of Skaill, included in the ticket. It’s a historic manor house built in 1620 by Bishop George Graham, owned by the same family (the Lairds of Breckness) for 400 years, each of whom added something to house or garden. It was the 7th laird, William Watt, who found the buried village after a massive sandstorm in 1850. The house is therefore full of history – the building itself, with light-filled rooms and lovely views of the sea, and also the furniture, paintings, china, and fascinating small exhibitions around the house. There’s even Captain Cook’s dinner service on show! So leave plenty of time for the house when you’re visiting the Skara Brae site.

Maes Howe

The Ring of Brodgar and Stones of Stenness are nearby and we visited them on our way to Maes Howe (c. 3000 BC). It’s hard to get tickets to go inside the burial mound, but this time we managed – I booked months in advance. It’s absolutely fascinating, with great explanations from a very good (and humorous) guide. No photography is allowed inside, but it’s an impressive chamber, like a very high chapel, with Viking graffiti – they broke in in the 12th century. You have to duck down to go through the entrance passage – that’s where the sun’s rays shine through at midwinter. Well worth booking early!

Between Stromness and Kirkwall we took the smaller coastal road, the St Magnus Trail, to visit Orphir, with the ruin of a round church from the 11th century. It was built by Earl Haakon in the form of the Church of the Holy Sepulchre after he had visited Jerusalem. Beside it is the site of a “bu”, a Viking hall, possibly Earl Haakon’s, as mentioned in the Orkneyinga Saga (which there’s an exhibition about in the small museum on site, currently being refurbished).

Tankerness House Museum, Highland Park

When we reached Kirkwall there was funeral service on in the cathedral, so we had a look from the outside at the impressive large ruins of the Earl’s Palace  and the Bishop’s Palace, with a lovely wee park between them, with tall old trees. After that we visited the Orkney Museum in Tankerness House, an old merchant’s house in the centre of town. I’d forgotten how large and how fascinating that is – highly recommended if you’re in Kirkwall. Then we finally got into St Magnus Cathedral. I’m sure many of you are familiar with it – the tall, beautiful building, a marvel of the Middle Ages (c. 1137 on), but if you are, I’d recommend for the next time having a closer look at the historic grave slabs arranged around the walls, many with amazing “mementi mori” carvings. And don’t forget the beautiful marble memorial to local and international hero John Rae, the important Arctic explorer.

And if you have time, the tours of Highland Park Distillery are very good indeed; and for the price you get 3 drams to taste (or a driver’s pack) and even a glass to take away with you – more than you get at most other distilleries!

Now we were on our way back to the ferry, the St Margaret’s Hope – Gill’s Bay route, shorter (and cheaper) than Stromness-Scrabster. On the way there you drive over the Churchill Barriers with their rusty old wrecks, and also pass the Italian Chapel on Lamb Holm, always worth a visit – we again found it very moving. For me that’s the best route to see Orkney.

So I hope now that I’ve managed to spur you all on to visit Orkney yourselves – again, or for the first time!

Cathair-Eaglais Naoimh Magnus / St Magnus Cathedral

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Tadhail air seaboardgàidhlig

A’ Ghàidhlig ann an Dùn Èideann Tro na Linntean / Gaelic in Edinburgh Through the Centuries

Le Bella Caledonia Editor

“The first step in liquidating a people is to erase its memory. Destroy its books, its culture, its history. Then have someone write new books, manufacture a new culture, invent a new history. Before long the nation will begin to forget what it is and what it was.” Milan Kundera, The Book of Laughter and […]

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Tadhail air Ghetto na Gàidhlig – Bella Caledonia

College and Community

Le Gordon Wells

On Island Voices’ 21st birthday(!), this is the final blogpost from the project before the longstanding academic linkage with UHI is brought to a close, with the retirement of its co-ordinator. Following on from the Heritage and Risk discussion, this post continues the previewing of the project rationale, with a focus this time on the key components of the community project and the basic structure of the university archive that captures it for posterity.

Community Project

The Hebrides-based “Guthan nan Eilean” (Island Voices) online language capture and curation project was born in 2005 out of the European project “POOLS” (Pooling Open Online Learning Systems). Multilingual partners across the continent teamed up to develop user-friendly technical aids for lesser-used languages, and POOLS was duly completed in 2007. Nearly 21 years later, Island Voices lives on still, having massively grown and diversified along the way while maintaining its linkage to UHI, now through the Language Sciences Institute CIALL project. (A detailed 2005-2023 history is available online.)

The Gaelic content spreads across a range of genres, domains and linguistic registers – with a principled focus on the spoken vernacular – including the unscripted real-life speech of ordinary community members, as well as documentary narrative and contemporary poetry from well-known writers and performers, such as Donald S Murray, Martin MacIntyre, and the late great Norman Maclean. The content reflects contemporary life through the unfiltered voices of real community members. Bespoke assistive technologies provide access for learners and non-speakers.

The societal challenges that Gaelic now faces are not unique to it, and its problems cannot be solved by looking only inwards. Island Voices has always balanced its Hebridean focus with an openness to cross-linguistic collaboration. Alongside Scots and Shaetlan examples, Irish and Welsh are important Celtic comparators. South Asian and Caribbean collaborations have also thrown light on potential connections that are still under-explored with other minority diaspora communities in Scotland and across the UK, while the English component is multi-functional.

The more recent Extensions initiative shows how the Island Voices model is being progressively adopted and adapted for other languages. Ifor ap Glyn, National Poet for Wales 2016-22, is the latest to make a significant contribution in this format.

Overall, Island Voices remains at heart a community-based project, and will continue in that role indefinitely, even after the archiving of its first 21 years of output at the University of the Highlands and Islands, an institution whose educational remit covers both Higher and Further Education. Even so, a grounding linkage to academic research has been a key complementary focus throughout its existence, as recorded, for example, in Research/Reports. This UHI archive is one more example of the project’s key bridging function between community and academy.

University Archive

The new archive consists of two main parts:

  • Mirror digital copies of 500+ videos created by Island Voices and platformed on YouTube.com will now be securely stored within UHI’s own archives and made freely available for public, student, and staff access. This collection is divided up thematically into eleven “series” and can be accessed directly through the archive catalogue.
  • The entire Island Voices WordPress.com website as it stood on 1st September 2026 has also been copied and archived, consisting of 500+ blogposts and pages. This serves to trace the full history of the project from the very start of its online presence. The blogposts track its development path step by step and offer important contextual detail on the video contents. The pages gather groups of videos together under a range of themes to help navigate the entire collection. As an archived copy of the website, some changes have been made to guard against any uncontrolled digital loss over time. Thus, additional links have been added to the tables of YouTube video contents, providing equivalent links to the corresponding archived copies.

So that’s it, the cut-off date has been reached, and the archive will freeze the collection as it stands on 1st September 2026. By no means does it signify the definitive end of the community project, but it’s a relief to know that the first 21 years’ work is now secured for posterity. For further news of the university archive, followers may wish to keep an eye on the LSI news page.

Meanwhile, although Island Voices posts will probably diminish in frequency and intensity henceforth, they may not come to a complete halt for some time yet… Cùm cluas ri claisneachd!

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Tadhail air Island Voices – Guthan nan Eilean

Heritage and Risk

Le Gordon Wells

The Island Voices project offers a model of community-based action in the maintenance of linguistic diversity and heritage in a world in which minoritised languages are under unprecedented threat. The archive stands out through its platforming of the voices of the people in the sharing of their unique cultural heritage.

So says the introduction to the imminently forthcoming Island Voices Multilingual Archive stored at the University of the Highlands and Islands (UHI). On the cusp of Island Voices’ 21st birthday, here’s a potted preview of some of the overall rationale that persuaded The National Lottery Heritage Fund to offer its support, focussing on heritage and risk in the context of global linguistic diversity.

Heritage

The remaining Gaelic communities of the Western Isles are the last inheritors of an unbroken culture and oral tradition that forms an intricate and integral part of Scottish history and identity. It stretches back well over a thousand years, and manages to live on still, despite its now severely minoritised position. Set against this historical backdrop these Hebridean communities also offer a casebook study of contemporary cultural dynamics in which bi- and multi-lingual contacts and contexts present often stark challenges and choices. This societal environment of steadily continuing encroachment upon traditional and conventional domains for the use of Gaelic, in everyday life as much as in more or less formal cultural pursuits such as the composition or performance of poetry and music, is replicated in similar form in many other minority linguistic cultures, whether indigenous or migrant diasporic, both elsewhere in Scotland and the UK, as well as globally.

Humanity has a widely diverse linguistic heritage, evolved to respond to the grounded particularities of different times and places across the world. The Gaelic language encodes a unique worldview as it is experienced by its speakers in their homes and community locales. The Scottish Languages Act gives official recognition to the importance of the language within Scotland, and puts some legal measures in place to support its continuing use, both on a nationwide basis and in relation to special “areas of linguistic significance”.

To some extent, this official response relates to corresponding situations with other languages in similar situations, for example Irish or Welsh. In search of solutions to the problems facing a particular language community, there is room for well-informed exploration of other similarly challenged cultural heritages through coming together in joint enterprises, while retaining a grounded sense of local realities. Over the last twenty years the Island Voices project, based in the Outer Hebrides, has been capturing and curating the natural speech of Gaelic speakers as they voice in their own words their memories, thoughts, and reflections.

The approach taken has been readily transferrable to enable comparison with, and adoption by, other similarly minoritised linguistic communities. This has resulted in a Gaelic-weighted yet profusely multilingual collection of 500+ video recordings featuring the authentic speech of community members as they relate unscripted stories, memories, descriptions and explanations, complemented by song performance and poetry recitation, and introduced by short plain language narrative documentaries. This is the heritage, highly valued by fluent community members, academic researchers, and language learners alike, that this archive seeks to safeguard.

Risk

In an era in which the loss of languages, particularly minoritised “heritage languages”, is proceeding across the globe at an alarmingly accelerated rate, the risk to Gaelic (and other languages within the UK polity) is now well documented, for example through the comprehensive “Gaelic Crisis in the Vernacular Community” book jointly authored by UHI Language Sciences Institute staff with other sociolinguistic researchers. Gaelic has been shown to face the imminent prospect of ceasing to operate as a language of daily use and conversational exchange in a community setting.

The last generation of fluent speakers with lived experience of growing up in a Gaelic-dominant environment, and hence acquiring the language through a normal process of inter-generational transmission at home and in the community, is of advancing age. They have important stories to tell from their own early life experiences, as well as their own reflections on witnessing the dramatic changes in community life as this transformative language shift has occurred before their eyes.

Island Voices has been a local presence for the past two decades in capturing and curating these narratives through the voices of ordinary community members. These are voices which may often struggle to be heard or noticed in national or institutional policy and decision-making fora, yet on which any language maintenance or planning initiative is crucially dependent, as they embody the linguistic competence which such bodies may seek to protect or promote.

Throughout this period, Island Voices has relied on technical and funding support from a wide range of disparate bodies in order to create and sustain its grassroots level approach, capitalising on powerful new digital affordances that help mitigate against documented linguistic risk. With the professional retirement of the project co-ordinator, there is now a requirement to gather the disparate outputs co-created with multiple stakeholders into a secure central storage point with guaranteed long-term longevity, to safeguard the digital artefacts themselves in a duplicated store, and ensure ongoing free public access to the first 21 years of the collection.

In working with the UHI Archive to capture and deposit the Island Voices project, the Language Sciences Institute has ensured this resource and its metadata are appropriately captured, catalogued, and safeguarded – digitally preserved to prevent decay, and promoted with stakeholder communities and the public in order to provide permanent access to the collection for future use and research.

So this must be among the longest of all Island Voices’ blogposts, as it marks an important inflection point! It’s been a blast, but we’re not quite done yet…

Next: College and Community.

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Tadhail air Island Voices – Guthan nan Eilean

From South Uist to the South Pacific

Le Gordon Wells

Tongan is the latest addition to our Other Tongues initiative, with our documentary about catching razorfish in South Uist now realised in yet another island language – this time from the South Pacific! We’re very grateful to Rev. Tevita Holani for giving new life to this popular early film, first translating the narration into his own mother tongue, and then recording this beautifully clear and measured voiceover.

And we’re equally delighted to record another first for Clilstore by adding Tongan to the long list of languages for which the platform now caters. You can read the full transcript while watching the embedded video here: https://multidict.net/cs/12779. YouTube subtitles are also enabled in Tongan, with auto-translation into other languages available through the settings wheel.

Tevita trained and worked as a scientist before becoming a pastor with the Uniting Church in Australia. He was born and raised in Tonga, moving to Australia and starting a family there in his adult life. (The Tongan archipelago, being not far from New Zealand, south-east of Fiji and south/south-west of Samoa, now takes Island Voices’ global reach yet further east than Okinawa and mainland Japan!) Tevita travels back to Tonga regularly to see family and friends and is a part of the large Tongan and Pacific Islander diaspora community living in Australia.

His youngest son, Amanaki Holani, a musician and sound engineer, moved to Inverness in 2025 with his partner Kirsty McKellar, a community worker and researcher who is undertaking her PhD in Gaelic studies at the University of the Highlands and Islands through the Language Sciences Institute. This is how Tevita came to know of the Island Voices project, for which he, and his wife Tine, graciously accepted the offer to create a Tongan language rendition of the Razorfish documentary from our Series 2 Outdoors collection. There you can find the original Gaelic and English versions alongside interviews with participants.

It was an interesting and collaborative process, with questions going back and forth, including how to translate ‘Razorfish’. This marine creature is nowhere to be seen off the coasts of Tonga, so finding a suitable name was part of the process. Vāsua mata-helé was found to be the closest translation.

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Tadhail air Island Voices – Guthan nan Eilean

Thoughts on Island Voices

Le Gordon Wells

As we enter August, our various 21st anniversary summer exhibitions are still running in the Hebrides and in Glasgow – though not in all cases for much longer. So if you want to see them on-site, please pay a visit to Taigh Chearsabhagh (North Uist), Museum nan Eilean (Benbecula), Cnoc Soilleir (South Uist), or the Scottish Poetry Rose Garden in Queen’s Park (Glasgow) sooner rather than later! Of course, they will remain accessible online indefinitely through the bold Island Voices links above.

We are very keen to receive feedback, either written or spoken. The poster above gives both a telephone number and an e-mail address where you can leave your own thoughts and opinions in English or Gaelic. (Or you can just leave a comment on this post if you prefer!) At the risk of repetition, we’re interested in the views of active participants in the project as well as viewers and listeners from near and far. If you want some guidance, here’s the sort of thing we’re interested in:

As always we’re keen to receive reflections, suggestions and further questions about our project – not just to help evaluate what we’ve done so far, but also in the hope of stimulating new ideas for what could come next. And we welcome input from all sources, including previous active participants in the project (What did or didn’t work well? What could we have done differently? What did you learn from the experience? etc) as well as viewers and listeners who’ve sampled the materials online, or attended one or other of the various events and exhibitions over the summer of 2026 (What did or didn’t you like about the contents you tried? What would you like to see more of? Did it prompt any memories you’d like to share? Have you got other suggestions? etc).

We are very keen to receive spoken or written feedback in English or Gaelic by phone or e-mail.

You can leave a voicemail at this number: 01463 279110

You can send a written message to this e-mail address: islandvoices@uhicloud.ac.uk

Tapadh leibh!

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Tadhail air Island Voices – Guthan nan Eilean

Aplacaidean Anaragach X – Rathaidean-iarainn Èireann a Tuath

Le alasdairmaccaluim

Tha bùithtean air-loidhne cunnartach, nach eil? Dh’òl mi beagan fìona an latha roimhe agus dh’òrdaich mi leabhar mu thrèanaichean ann an Èirinn a Tuath agus an uair sin, dhìochuimhnich mi mu dheidhinn buileach glan gus an do nochd an leabhar tron doras! Is math nach robh e daor!

Co-dhiù, tha mi beò glaicte le rathaidean-iarainn Ultach aig an àm seo agus tha mi a’ dol dhan ghala dìosail aig Rathad-iarainn Dhùn Phàdraig san Lùnastal – rathad-iarainn glèidhte snog ann an taobh a-deas Contae an Dùin.

Rinn mi beagan rannsachaidh air aplacaidean is làraichean-lìn mu rathaidean-iarainn ann an Èirinn a Tuath agus lorg mi rud sgoinneil no dhà.

Tha NIR Live a’ sealltainn dhut far a bheil a h-uile trèana air lìonra Èireann a Tuath beò.

Ma bhriogas tu air trèana sam bith, gheibh thu fiosrachadh mu deidhinn.

Agus ma tha thu airson coimhead air na loidhnichean a tha ann agus a bha ann riamh, tha https://railsmaps.com/united-kingdom-ni/historical sgoinneil! An seo tha na loidhnichean fosgailte ann an dubh agus tha na loidhnichean dùinte ann an ruadh – mar a chithear bhon mhapa, tha barrachd air dùnadh na tha air fhàgail gu mì-fhortanach.

’S e an aon ghearan a th’ agam nach eil na loidhnichean sa phoblachd a’ nochdadh air – bha tòrr de na seann loidhnichean a’ dol thar na crìch agus chan ei iad rim faighinn air a’ mhapa seo.

Alasdair

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Tadhail air Trèanaichean, tramaichean is tràilidhean

Five Writers Plus

Le Gordon Wells

The Scottish Poetry Rose Garden in Glasgow’s Queen’s Park is the venue for the open-air Island Voices exhibition, opening on the 12th July, of the Five Writers featured in its Extensions initiative. Each one has their own stand in the garden, with QR codes to take viewers directly to their body of video work, including multi-lingual versions of their introductory documentary, plus samples of their poetry and conversational style in their own particular language. We’re delighted to partner with Friends of Queen’s Park in facilitating this exhibition in such fitting surroundings, and grateful for the support of The National Lottery Heritage Fund in making it possible.

If you can’t visit in person, you can click on the image below to take you to an enlarged version with live links attached to the QR codes for each of the five writers:

As an added bonus, links are also available via the posters below showcasing earlier recordings by our special Rose Garden guest Alan Riach, Professor of Scottish Literature at the University of Glasgow. Alan also added some classic historical perspective to our lively 11th July Saturday night preview of the exhibition in Queen’s Park Parish Church. (Click on the images for the live links.)

As always we’re keen to receive reflections, suggestions and further questions about our project – not just to help evaluate what we’ve done so far, but also in the hope of stimulating new ideas for what could come next. And we welcome input from all sources, including previous active participants in the project (What did or didn’t work well? What could we have done differently? What did you learn from the experience? etc) as well as viewers and listeners who’ve sampled the materials online, or attended one or other of the various events and exhibitions over the summer of 2026 (What did or didn’t you like about the contents you tried? What would you like to see more of? Did it prompt any memories you’d like to share? Have you got other suggestions? etc).

We are very keen to receive spoken or written feedback in English or Gaelic by phone or e-mail.

You can leave a voicemail at this number: 01463 279110

You can send a written message to this e-mail address: islandvoices@uhicloud.ac.uk

Tapadh leibh!

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Tadhail air Island Voices – Guthan nan Eilean

Hebridean collection displays

Le Gordon Wells

With summer upon us, venues across Uist and Benbecula are now showcasing the 2005-2026 compilation video that brings together into one 7-minute clip representative highlights of the 20+ years of the Island Voices/Guthan nan Eilean project. Alongside the video itself, additional information panels provide background information with QR codes that enable readers to access the original source materials from which the compilation was selected, so opening up the 500+ online videos for immediate viewing.

Here’s the main background panel:

You don’t have to attend in person to find these links. A click on the above graphic will take you to an enlarged image with live links attached to every QR code displayed.

Here are the local Hebridean venues where the collection is currently on display:

North Uist:

Taigh Chearsabhagh, Lochmaddy
(With Uist Arts Association)

Benbecula:

Museum nan Eilean, Liniclate

South Uist:

Cnoc Soilleir, Daliburgh

We’re keen to receive reflections, suggestions and further questions about our project – not just to help evaluate what we’ve done so far, but also in the hope of stimulating new ideas for what could come next. And we welcome input from all sources, including previous active participants in the project (What did or didn’t work well? What could we have done differently? What did you learn from the experience? etc) as well as viewers and listeners who’ve sampled the materials online, or attended one or other of the various events and exhibitions over the summer of 2026 (What did or didn’t you like about the contents you tried? What would you like to see more of? Did it prompt any memories you’d like to share? Have you got other suggestions? etc).

We are very keen to receive spoken or written feedback in English or Gaelic by phone or e-mail.

You can leave a voicemail at this number: 01463 279110

You can send a written message to this e-mail address: islandvoices@uhicloud.ac.uk

Tapadh leibh!

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Tadhail air Island Voices – Guthan nan Eilean

An Luingeas Dorcha: Cainnt an t-Seòladair

Le lasairdhubh

Tha mi air meanbh-fhaclair dhen bhriathrachas-sheòlaidh anns an Luingeas Dorcha air Fàire a chruthachadh, agus gheibhear an seo i, ach shaoil mi gur dòcha nach dèanadh na mìneachaidhean an sin cus ciall do chuid nach eil tuilleadh is eòlach air a’ bhriathrachas-seòlaidh anns a’ Bheurla mar-thà. Mar sin, chruthaich mi an taisbeanadh shìos mar nàdar de fhaclair lèirsinneach, le dealbhan a’ sealltainn ciall nam faclan is nan abairtean, agus iad anns an òrdugh a nochdas iad anns an leabhar. Gun leig sibh fios dhomh anns na beachdan aig a’ bhonn ma tha sìon shìos mì-shoilleir. Tha mi an dòchas gu bheil e feumail!

Tùsan:

Cox, Richard A. V. 2017 Geàrr-Ghràmar na Gàidhlig. Ceann Drochaid: Clann Tuirc

Dwelly, Edward 1994 [1911] The Illustrated Gaelic-English Dictionary. Glasgow: Garm Publications

MacAulay, John 1996 Birlinn: Longships of the Hebrides. Strond: White Horse Press.

MacDonald, Rev. Fr. Allan 1972 Gaelic Words and Expressions from South Uist and Eriskay. Oxford: Oxford University Press.

MacLennan, Malcolm 1979 [1925] A Pronouncing and Etymological Dictionary of the Gaelic Language: Gaelic-English/English-Gaelic. Edinburgh: Acair/Aberdeen University Press

Mark, Colin B. D. 2003 The Gaelic-English Dictionary. London: Routledge, 2003.

McLeod, Wilson and Michael Newton.M 2019 The Highest Apple/An Ubhal as Àirde: An Anthology of Scottish Gaelic Literature. London: Francis Boutle Publishers.

Nicolson, Alexander 1881 A Collection of Gaelic Proverbs and Familiar Phrases, based on Macintosh’s collection. Edinburgh: Maclachlan and Stewart.

Thomson, Derick S. (Ed.) 1996 Alasdair Mac Mhaighstir Alasdair: Selected Poems. Edinburgh: The Scottish Academic Press for the Scottish Gaelic Texts Society.

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Tadhail air Air Cuan Dubh Drilseach