College and Community

Le Gordon Wells

On Island Voices’ 21st birthday(!), this is the final blogpost from the project before the longstanding academic linkage with UHI is brought to a close, with the retirement of its co-ordinator. Following on from the Heritage and Risk discussion, this post continues the previewing of the project rationale, with a focus this time on the key components of the community project and the basic structure of the university archive that captures it for posterity.

Community Project

The Hebrides-based “Guthan nan Eilean” (Island Voices) online language capture and curation project was born in 2005 out of the European project “POOLS” (Pooling Open Online Learning Systems). Multilingual partners across the continent teamed up to develop user-friendly technical aids for lesser-used languages, and POOLS was duly completed in 2007. Nearly 21 years later, Island Voices lives on still, having massively grown and diversified along the way while maintaining its linkage to UHI, now through the Language Sciences Institute CIALL project. (A detailed 2005-2023 history is available online.)

The Gaelic content spreads across a range of genres, domains and linguistic registers – with a principled focus on the spoken vernacular – including the unscripted real-life speech of ordinary community members, as well as documentary narrative and contemporary poetry from well-known writers and performers, such as Donald S Murray, Martin MacIntyre, and the late great Norman Maclean. The content reflects contemporary life through the unfiltered voices of real community members. Bespoke assistive technologies provide access for learners and non-speakers.

The societal challenges that Gaelic now faces are not unique to it, and its problems cannot be solved by looking only inwards. Island Voices has always balanced its Hebridean focus with an openness to cross-linguistic collaboration. Alongside Scots and Shaetlan examples, Irish and Welsh are important Celtic comparators. South Asian and Caribbean collaborations have also thrown light on potential connections that are still under-explored with other minority diaspora communities in Scotland and across the UK, while the English component is multi-functional.

The more recent Extensions initiative shows how the Island Voices model is being progressively adopted and adapted for other languages. Ifor ap Glyn, National Poet for Wales 2016-22, is the latest to make a significant contribution in this format.

Overall, Island Voices remains at heart a community-based project, and will continue in that role indefinitely, even after the archiving of its first 21 years of output at the University of the Highlands and Islands, an institution whose educational remit covers both Higher and Further Education. Even so, a grounding linkage to academic research has been a key complementary focus throughout its existence, as recorded, for example, in Research/Reports. This UHI archive is one more example of the project’s key bridging function between community and academy.

University Archive

The new archive consists of two main parts:

  • Mirror digital copies of 500+ videos created by Island Voices and platformed on YouTube.com will now be securely stored within UHI’s own archives and made freely available for public, student, and staff access. This collection is divided up thematically into eleven “series” and can be accessed directly through the archive catalogue.
  • The entire Island Voices WordPress.com website as it stood on 1st September 2026 has also been copied and archived, consisting of 500+ blogposts and pages. This serves to trace the full history of the project from the very start of its online presence. The blogposts track its development path step by step and offer important contextual detail on the video contents. The pages gather groups of videos together under a range of themes to help navigate the entire collection. As an archived copy of the website, some changes have been made to guard against any uncontrolled digital loss over time. Thus, additional links have been added to the tables of YouTube video contents, providing equivalent links to the corresponding archived copies.

So that’s it, the cut-off date has been reached, and the archive will freeze the collection as it stands on 1st September 2026. By no means does it signify the definitive end of the community project, but it’s a relief to know that the first 21 years’ work is now secured for posterity. For further news of the university archive, followers may wish to keep an eye on the LSI news page.

Meanwhile, although Island Voices posts will probably diminish in frequency and intensity henceforth, they may not come to a complete halt for some time yet… Cùm cluas ri claisneachd!

Powered by WPeMatico


Tadhail air Island Voices – Guthan nan Eilean

Heritage and Risk

Le Gordon Wells

The Island Voices project offers a model of community-based action in the maintenance of linguistic diversity and heritage in a world in which minoritised languages are under unprecedented threat. The archive stands out through its platforming of the voices of the people in the sharing of their unique cultural heritage.

So says the introduction to the imminently forthcoming Island Voices Multilingual Archive stored at the University of the Highlands and Islands (UHI). On the cusp of Island Voices’ 21st birthday, here’s a potted preview of some of the overall rationale that persuaded The National Lottery Heritage Fund to offer its support, focussing on heritage and risk in the context of global linguistic diversity.

Heritage

The remaining Gaelic communities of the Western Isles are the last inheritors of an unbroken culture and oral tradition that forms an intricate and integral part of Scottish history and identity. It stretches back well over a thousand years, and manages to live on still, despite its now severely minoritised position. Set against this historical backdrop these Hebridean communities also offer a casebook study of contemporary cultural dynamics in which bi- and multi-lingual contacts and contexts present often stark challenges and choices. This societal environment of steadily continuing encroachment upon traditional and conventional domains for the use of Gaelic, in everyday life as much as in more or less formal cultural pursuits such as the composition or performance of poetry and music, is replicated in similar form in many other minority linguistic cultures, whether indigenous or migrant diasporic, both elsewhere in Scotland and the UK, as well as globally.

Humanity has a widely diverse linguistic heritage, evolved to respond to the grounded particularities of different times and places across the world. The Gaelic language encodes a unique worldview as it is experienced by its speakers in their homes and community locales. The Scottish Languages Act gives official recognition to the importance of the language within Scotland, and puts some legal measures in place to support its continuing use, both on a nationwide basis and in relation to special “areas of linguistic significance”.

To some extent, this official response relates to corresponding situations with other languages in similar situations, for example Irish or Welsh. In search of solutions to the problems facing a particular language community, there is room for well-informed exploration of other similarly challenged cultural heritages through coming together in joint enterprises, while retaining a grounded sense of local realities. Over the last twenty years the Island Voices project, based in the Outer Hebrides, has been capturing and curating the natural speech of Gaelic speakers as they voice in their own words their memories, thoughts, and reflections.

The approach taken has been readily transferrable to enable comparison with, and adoption by, other similarly minoritised linguistic communities. This has resulted in a Gaelic-weighted yet profusely multilingual collection of 500+ video recordings featuring the authentic speech of community members as they relate unscripted stories, memories, descriptions and explanations, complemented by song performance and poetry recitation, and introduced by short plain language narrative documentaries. This is the heritage, highly valued by fluent community members, academic researchers, and language learners alike, that this archive seeks to safeguard.

Risk

In an era in which the loss of languages, particularly minoritised “heritage languages”, is proceeding across the globe at an alarmingly accelerated rate, the risk to Gaelic (and other languages within the UK polity) is now well documented, for example through the comprehensive “Gaelic Crisis in the Vernacular Community” book jointly authored by UHI Language Sciences Institute staff with other sociolinguistic researchers. Gaelic has been shown to face the imminent prospect of ceasing to operate as a language of daily use and conversational exchange in a community setting.

The last generation of fluent speakers with lived experience of growing up in a Gaelic-dominant environment, and hence acquiring the language through a normal process of inter-generational transmission at home and in the community, is of advancing age. They have important stories to tell from their own early life experiences, as well as their own reflections on witnessing the dramatic changes in community life as this transformative language shift has occurred before their eyes.

Island Voices has been a local presence for the past two decades in capturing and curating these narratives through the voices of ordinary community members. These are voices which may often struggle to be heard or noticed in national or institutional policy and decision-making fora, yet on which any language maintenance or planning initiative is crucially dependent, as they embody the linguistic competence which such bodies may seek to protect or promote.

Throughout this period, Island Voices has relied on technical and funding support from a wide range of disparate bodies in order to create and sustain its grassroots level approach, capitalising on powerful new digital affordances that help mitigate against documented linguistic risk. With the professional retirement of the project co-ordinator, there is now a requirement to gather the disparate outputs co-created with multiple stakeholders into a secure central storage point with guaranteed long-term longevity, to safeguard the digital artefacts themselves in a duplicated store, and ensure ongoing free public access to the first 21 years of the collection.

In working with the UHI Archive to capture and deposit the Island Voices project, the Language Sciences Institute has ensured this resource and its metadata are appropriately captured, catalogued, and safeguarded – digitally preserved to prevent decay, and promoted with stakeholder communities and the public in order to provide permanent access to the collection for future use and research.

So this must be among the longest of all Island Voices’ blogposts, as it marks an important inflection point! It’s been a blast, but we’re not quite done yet…

Next: College and Community.

Powered by WPeMatico


Tadhail air Island Voices – Guthan nan Eilean

Thoughts on Island Voices

Le Gordon Wells

As we enter August, our various 21st anniversary summer exhibitions are still running in the Hebrides and in Glasgow – though not in all cases for much longer. So if you want to see them on-site, please pay a visit to Taigh Chearsabhagh (North Uist), Museum nan Eilean (Benbecula), Cnoc Soilleir (South Uist), or the Scottish Poetry Rose Garden in Queen’s Park (Glasgow) sooner rather than later! Of course, they will remain accessible online indefinitely through the bold Island Voices links above.

We are very keen to receive feedback, either written or spoken. The poster above gives both a telephone number and an e-mail address where you can leave your own thoughts and opinions in English or Gaelic. (Or you can just leave a comment on this post if you prefer!) At the risk of repetition, we’re interested in the views of active participants in the project as well as viewers and listeners from near and far. If you want some guidance, here’s the sort of thing we’re interested in:

As always we’re keen to receive reflections, suggestions and further questions about our project – not just to help evaluate what we’ve done so far, but also in the hope of stimulating new ideas for what could come next. And we welcome input from all sources, including previous active participants in the project (What did or didn’t work well? What could we have done differently? What did you learn from the experience? etc) as well as viewers and listeners who’ve sampled the materials online, or attended one or other of the various events and exhibitions over the summer of 2026 (What did or didn’t you like about the contents you tried? What would you like to see more of? Did it prompt any memories you’d like to share? Have you got other suggestions? etc).

We are very keen to receive spoken or written feedback in English or Gaelic by phone or e-mail.

You can leave a voicemail at this number: 01463 279110

You can send a written message to this e-mail address: islandvoices@uhicloud.ac.uk

Tapadh leibh!

Powered by WPeMatico


Tadhail air Island Voices – Guthan nan Eilean

Scottish Gaelic working paper

Le Gordon Wells

Gaelic recordings on the Island Voices YouTube channel provide the empirical data to inform the Leacan 2 corpus planning project on how the language is spoken in real life. The project is led by Glasgow University for Bòrd na Gàidhlig, with support from the UHI Language Sciences Institute, among others. With the UHI contribution now complete, an edited version of the paper offering applied and sociolinguistic commentary “with a view to identification of features of traditional Gaelic requiring description and guidance” is now made available in the online open access “Working Papers in Urban Language & Literacies” series.

It’s a very interesting series, described in some detail in Working papers for a more open academy, with a mission to develop “sociolinguistic, applied and educational frameworks adequate for the analysis of urban language, literacies, interaction and learning; [as well as] modes of intervention in language policy and practice that are productively tuned to the realities of contemporary urban life”, noting also that ‘urban’ has been dropped from the latest iterations of this statement. That’s a philosophy that fits well with Island Voices priorities, especially following the adjustment away from an appearance of a primarily metropolitan focus…

We’re delighted that the series editors took readily and quickly to publishing Gordon Wells’s paper as “Corpus planning in Scottish Gaelic: A case study”, the first contribution on Gaelic in this quickly growing and highly diverse collection with an extensive and worldwide online readership. (It’s also available through their Academia.edu page.) In the spirit of open collaboration they also encouraged us to share the paper on our own Research/Reports page, where readers will now find a new link. Taing mhòr, a chàirdean!

Here’s the abstract:

A detailed example is presented of an aspect of Scottish Gaelic corpus planning, focussing on the use of community-based authentic speech recordings to inform the production of guidance on a range of grammatical issues. Attention is drawn to a salient distinction between dialectal and idiolectal variation in relation to this task, and there is discussion of particular syntactic and semantic forms selected from the project’s stated terms of reference. Concluding remarks suggest and discuss issues for further research. Deeper linguistic analysis of the “phrasal verb” in use should throw light on some of the complexities of bilingual competences that may not currently be fully acknowledged in the Scottish Gaelic context. These complexities also have significance for the broader consideration of key practical planning processes entailing community participation and empowerment, as well as the construction of effective linguistic “authority”. These issues highlight the complex nature and significant scale of the challenges involved in effectively conducting this kind of work in a way that will gain real traction at community level in a context of ongoing language shift away from bilingualism towards increasingly monolingual use of English.

Powered by WPeMatico


Tadhail air Island Voices – Guthan nan Eilean

UHI Archive Announcement

Le Gordon Wells

The University of the Highlands and Islands (UHI) has been awarded £42,527 from The National Lottery Heritage Fund to safeguard and share a unique multilingual record of island life and connections.

Hebridean communities are well accustomed to a bilingual outlook on everyday life.

Photo: Gordon Wells

The funding will support the creation of a permanent digital archive for the ‘Island Voices / Guthan nan Eilean’ project, a 21-year community initiative capturing “slices of life in and beyond the 21st century Hebrides.”

The collection includes more than 500 films recorded in almost 40 languages, alongside extensive web content documenting the project’s development. It will be developed into an important, publicly available UHI Archive resource, which will support and develop research across and beyond the UHI partnership. UHI will contribute £29,955 to the project, bringing the total investment to £72,482.

Co-created with communities in the Hebrides, across Scotland and internationally, the project captures the voices of people sharing their own stories, memories and experiences in their own words. While rooted in Gaelic-speaking communities, the collection reflects a wider, globally relevant story of linguistic diversity and language change.

Launched in April 2026, the project will secure more than 1,000 digital items, including video recordings and associated online materials. Without this work, there is a risk that this unique digital and linguistic heritage, currently held across external platforms, could be lost or become inaccessible over time. The new archive will safeguard the collection to recognised preservation standards and make it freely available to the public.

Alongside the archive work, a programme of public engagement activity is planned throughout 2026, including exhibitions and events in island and mainland locations such as Uist and Glasgow. This will culminate in a public launch in September, marking the project’s 21st anniversary.

newly released compilation video brings together highlights from across the collection and is already being used to introduce the project to new audiences and support discussions with community partners on upcoming exhibitions and events.

Gordon Wells, Island Voices Archive Manager and researcher, said:

It’s been a unique pleasure and privilege to be a part of building up this body of work over the past two decades and more. Not only does it platform the rich oral heritage of the contemporary Hebrides, but it also makes mutually beneficial and creatively stimulating links with other communities too. The film is a taster, and testament to the willing “no bother!” co-operation of hundreds of participants over the years in this community project, from North Uist to North-east India and beyond. We hope it will stir memories and interest!

Professor Conchúr Ó Giollagáin, Director of the UHI Language Sciences Institute, said:

The staff of the UHI Language Sciences Institute welcome this opportunity to participate in this important project. Archiving the recordings of vernacular speakers will help put their voice at the heart of how we understand Gaelic and other minority cultures.

Philippa Currie, UHI Archivist and Information Governance Manager, said:

UHI Archive welcomes this exciting opportunity to work with depositors to create a remarkable resource for the Gaelic Language that will support the work of research and communities the world over.

By combining academic expertise with grassroots participation, the project also offers a model that could be adapted by other minority language communities in Scotland and internationally.

Further details on public events and the archive launch will be announced in due course.

Powered by WPeMatico


Tadhail air Island Voices – Guthan nan Eilean

Island Voices Compilation 2005-2026

Le Gordon Wells

Who remembers Island Voices’ first ever films from the Craigard Centre in Lochmaddy, North Uist? Still among our favourites, short clips from these earliest recordings set the opening scenes for this compilation video tracing the project’s evolution from 2005 right up to 2026, as our 21st birthday approaches in September.

With over 500 videos now on the YouTube channel, it’s been no small task to pull together something short but representative. From Craigard the compilation moves quickly on through the Uist and Barra Children’s parliament and Roddy Red Tie’s croft to Am Pàipear’s feature story on the renowned Norman Maclean. It’s a small step from Norman’s diverse skills and talents to the project’s multilingual and international connections through webinars, documentary adaptations, and geographical and literary extensions across Scotland, Ireland, England and Wales and still further afield in other island and mainland, rural and urban contexts. Coming full circle, samples of longer local recordings highlight the connected community base in which the project is rooted, and the film concludes with Norman recalling his own permanent return to the Hebrides in his trademark inimitable style – though Craigard’s Donald Mackinnon has the very last word!

We’ve had to leave a lot out, which wasn’t easy, but we’ve sampled material from ten of our collections in the hope that viewers may be inspired to dig deeper into any of these links, or indeed into other pages on this site!

These are the sources from which we’ve drawn for this compilation:

Series 1 
Series 2: Outdoors 
Series 2: Generations 
Series 2: Enterprise 
Norman Maclean
Talking Points 
Other Tongues
Extensions
Stòras Beò
Shortcuts

Over coming months leading up to September we’ll be looking to “tour” the full project at various locations – both Hebridean and across the mainland – and in various ways, in order to mark the twenty-one year milestone. September will also see the completion of a permanent open access Island Voices Multilingual Archive in the University of the Highlands and Islands, thanks to support from the National Lottery Heritage Fund!

This film is a taster, and testament to the willing “no bother!” co-operation of hundreds of participants over the years in this community project, from North Uist to North-East India and beyond. We hope it will stir memories and interest!

 

Powered by WPeMatico


Tadhail air Island Voices – Guthan nan Eilean

Shaetlan Connections

Le Gordon Wells

The Shetland poet Christie Williamson has brought the work of the “Five Writers” in our Extensions initiative to full completion by composing and narrating Shaetlan versions of the four other writers’ documentaries.

Christie writes:

My journey through Island Voices has been one of almost entirely unalloyed delight. Its Shetlophony is perhaps the defining feature of my poetry, though I still of course believe its themes and techniques warrant serious critical exploration.

It is good and healthy to examine one’s own journey as a writer and I was and am grateful of the opportunity to do so – to do so publicly is a bonus. Furthermore, seeing my video translated into other languages was a buzz for me, so I was joyed to be offered the opportunity to make Shaetlan versions of the other poets’ videos.

Any translation project is best approached with a healthy degree of trepidation – language is tricky, is core to us, is more or less entirely arbitrary symbolism. I may be betraying my non linguistic background here, but what I’m saying is I knew I could express my own journey as a writer in Shaetlan – arguably can only express it in the core language of my being.

But could that language carry Donald’s journey? A writer I’ve known and admired for many years, grafted on to the Shetlocultural landscape but whose primary languages of output are English and Gaelic? Or Audrey’s, whose journey through colonialism, race, education and creativity was from a far more radically different background to my own?

Of course, there really aren’t that many ways to find out, and unfinished is always an advance on unbegun, so I started exploring the transcripts and videos, thinking then speaking how the same things can be said in Shaetlan, then finally writing, which is a scarily committal thing, and finally speaking again.

Some years back now, a friend of mine was translating some poems of mine into Spanish ahead of a festival in Latin America, and we both agreed that translation was the ultimate form of close reading. I’ve really enjoyed having the chance to stretch Shaetlan’s function to tell these stories. The most rewarding thing? Has to be getting to know the stories themselves, the resonances and contrasts of how the poets and poems emerged through the languages and cultures which made and make them, and how those languages and cultures evolve through the poets and their work.

Here are the new videos:

Donald:

Clilstore transcript: https://multidict.net/cs/12711 


Martin:

Clilstore transcript: https://multidict.net/cs/12712


Audrey:

Clilstore transcript: https://multidict.net/cs/12709


Ifor:

Clilstore transcript: https://multidict.net/cs/12710


 

 

Powered by WPeMatico


Tadhail air Island Voices – Guthan nan Eilean

Tomás Ó Con Cheannainn

Le Gordon Wells

Brian Ó Curnáin writes about Tomás:

Tá sé 98 (beidh sé 99 i mbliana le cúnamh Dé ; rugadh 1927 é). As Baile Chláir na Gaillimhe a mhuintir agus bhí muirín mhór acu. Micheál Ó Con Cheannainn a athair, fear a bhí an-bhródúil as a oidhreacht Ghaelach. Tá caint an athar ar doegen.ie agus ar duchas.ie. Bhí Micheál san IRA agus tá video dhá dhreatháir Seán Ó Con Cheannainn a bhí san IRA 1916 ag caint ar 1916 ar youtube. Is iomú duine cáiliúil a thagadh ar cuairt ag Micheál, agus a shuíodh san áit a bhfuil na ceamaraí againne, ar thóir Gaeilge agus ceoil: Ciarán Mac Mathúna (RTÉ), Séamas Mac Aonghusa (RTÉ, Roinn Bhéaloideas Éireann), Ciarán Bairéad (Roinn Bhéaloideas Éireann) agus Máirtín Ó Cadhain (údar mór próis na 20ú haoise).

Chaith Team a shaol san áit ar rugadh is ar tógadh é, Rinn na hAirne, Eanach Dhúin, Co. na Gaillimhe. B’as ceantar Mhaigh Cuilinn a bhean Máire, a cailleadh os cionn deich mbliana ó shin. Tá a chlann mhuirneach iníon ar fad i gContae na Gaillimhe. Bhí bád ar Loch Coirib acu agus páirt d’oileán ar an Loch. Bhíodh Micheál ag déanamh poitín agus siar thar an Loch a bhíodh an stil aige. Tá Tomás fós ag tiomáint a tharracóir (tractor) agus ag feirmeoireacht beagán. Tá an-suim i gcapaill aige, san iarann agus sa ngaibhníocht agus san fheirimeoireacht. Bhí sé ina mhaor ar an Mart in Áth Cinn. Bhí sé ag obair ar an scéim uisce áitiúil. Bhí baint aige le athchóiriú an phinniúir liathróid láimhe (handball alley). Is maith leis an chraic, an spraoi, ceol agus amhráin agus damhsa, an foxtrot ina measc. Tá guth deas amhráin aige agus is iomaí amhrán a chas sé ag cruinnithe agus scléipeanna.

He is 98 (he will be 99 this year, God willing; he was born in 1927). His family is from Baile Chláir, Galway and they had a large family. His father was Micheál Ó Con Cheannainn, a man who was very proud of his Irish heritage. The father’s speech is on doegen.ie and duchas.ie. Micheál was in the IRA and there is a video of his two brothers Seán Ó Con Cheannainn who was in the IRA in 1916 talking about 1916 on youtube. Many famous people have visited Micheál, and have sat where our cameras are, in search of Irish and music: Ciarán Mac Mathúna (RTÉ), Séamas Mac Aonghusa (RTÉ, Department of Folklore), Ciarán Bairéad (Department of Folklore) and Máirtín Ó Cadhain (a great prose writer of the 20th century).

Tom spent his life in the place where he was born and raised, Rinn na hAirne, Eanagh Dhúin, Co. Galway. His wife Máire, who died over ten years ago, was from the Moycullen area. His lovely family, all daughters, are in County Galway. They had a boat on Loch Corrib and part of an island on the Loch. Micheál used to make poitín and back across the Loch he had a still. Tomás still drives his tractor and does a little farming. He has a great interest in horses, iron and blacksmithing and farming. He was a foreman at the Mart in Headford. He worked on the local water scheme. He was involved in the renovation of the handball alley. He enjoys fun, music and singing and dancing, including the foxtrot. He has a beautiful singing voice and has performed many songs at meetings and gatherings.

Here is Brian’s latest recording with Tomás:

Clilstore transcript: https://multidict.net/cs/12694

It’s a delightful addition to the Island Voices Videos channel to sit alongside the five previous recordings of Tomàs in conversation with Pádraig Ó Fathaigh that are already in our Stòras beó/Taisce bheo collection. And Brian promises there are more to come still!

Powered by WPeMatico


Tadhail air Island Voices – Guthan nan Eilean

Cathie Laing in Conversation

Le Gordon Wells

North Uist resident Cathie Laing talks to Island Voices co-ordinator and fellow Aire air Sunnd participant, Gordon Wells. As with other longer conversations we’ve recorded, we’ve divided this one into two halves initially, which we present first unfiltered and unsubtitled.

For the benefit of learners or non-speakers of Gaelic we’ve also cut these recordings up into smaller chunks, complemented with Clilstore transcripts and optional subtitles (which are auto-translatable into multiple languages), following the same practice adopted for Paul McCallum and James MacLetchie.

In Part 1A Cathie explains how she can trace her ancestors back as far as 1715 through the oral history kept alive in her family tradition. Her great-grandmother had vivid tales of Bonnie Dundee and it was her grandfather who introduced her to historical figures such as Seumas a’ Ghlinne (James Stewart of the Glen) in a home without books. With Perthshire antecedents, Cathie was actually born in Ross-shire into a travelling family. When she started school she was obliged to attend for a minimum of 100 days in the year. As soon as that time was up the family would hit the road, usually around April. (Clilstore unit: https://multidict.net/cs/12571)

In Part 1B Cathie relates how the family would travel around the Highlands by horse and cart. Her father would break horses in for forestry work, and pony trekking was also popular. But with the advent of tractors horses became less plentiful, so in the mid-fifties the family started coming to Uist, which was known for good horses. She explains the different methods of transporting horses across by boat from Berneray and Eriskay, before walking them to Lochmaddy. Horse boxes came later. To an eight year-old girl it seemed a free and healthy lifestyle. (Clilstore unit: https://multidict.net/cs/12572)

In Part 1C Cathie starts to talk about her schooldays, which would begin around October when she would have some catching up to do. Over the years the periods of travelling shortened as her father recognised that way of life was passing. Age restrictions meant Cathie couldn’t go into nursing, her preferred option, on leaving school, so she got an office job instead, until marrying Alasdair, whom she met in Uist. She didn’t find Uist Gaelic particularly difficult or different in comparison with her own. In fact she liked to hear the different varieties in each of the islands. (Clilstore unit: https://multidict.net/cs/12573)

In Part 1D Cathie describes how her father worked and saved so they could move from their big winter tent into a house in Beauly, where she attended school. Even after starting work she would still need to go travelling over the summer. She enjoyed her office job, and appreciated that her employer was not concerned about paper qualifications. It was nerve-racking for her to ask for time off to travel, but they came to an amicable agreement. She lived in different worlds and different languages including English, Gaelic, and Scots. Settled in Uist for more than 50 years, she can still remember some words of Beurla Reagaird, the travelling people’s “cover tongue”. (Clilstore unit: https://multidict.net/cs/12574)

In Part 2A Cathie recalls having an inspiring teacher at school who took a positive interest in her detailed knowledge of her family tree, and encouraged her to take up reading at home. Cathie notes how she passed this passion on to her own children and grandchildren, and views their success as a legacy from this teacher. In her own reading she came to notice sometimes troubling discrepancies between written histories about travelling people and her knowledge of the oral tradition. She is still an avid reader in both English and Gaelic, particularly of Carmina Gadelica which contains contributions from her great-grandfather and great-great-grandmother. (Clilstore unit: https://multidict.net/cs/12575)

In Part 2B Cathie talks about her love of music and songs, which she was able to explore more deeply on retirement when she followed a course in Gaelic language and music at the college in Benbecula. Though not an instrumentalist herself, she appreciated the opportunity to research the stories behind some of her favourite songs. She retells in detail the life-story of Catherine Maclean and her various marriages and children in the time of Mary of Guise, as referred to in the song of Seathan Mac Righ Èireann. She remains enthralled by the stories that are captured in such songs. (Clilstore unit: https://multidict.net/cs/12576)

In Part 2C Cathie moves on to talk about her memories of how things were when she first came to live in Uist. Almost without exception, everyone spoke Gaelic, and she felt at home with the way of life, hearing the same language, stories and songs with which she was already familiar. She recalls how her grandfather had used to sing a particular song to her in her childhood, a song which he placed in Iochdar, though to her knowledge he had rarely if ever visited Uist. She was delighted many years later, when doing a home visit in Iochdar, to find out that the lady she was calling on could point her to the exact spot where the tale told in the song took place. “Every stone has a story!” (Clilstore unit: https://multidict.net/cs/12577)

In Part 2D Cathie expands on the placename theme, referring to various key locations near her home which have or had particular names that captured something of their history and significance. Linking this to the common practice of sloinntearachd – identifying community members through their genealogy – Cathie and Gordon conclude their conversation by uncovering some previously unknown mutual acquaintances and family connections, which were often disrupted by the large scale emigration from Uist of earlier generations. (Clilstore unit: https://multidict.net/cs/12578)

Powered by WPeMatico


Tadhail air Island Voices – Guthan nan Eilean

CIALL Session 2024-25

Le Gordon Wells

The Collaborative Interdisciplinary & Applied Linguistic Links initiative (CIALL) based in the Language Sciences Institute of the University of the Highlands and Islands has been able to support a number of Island Voices small projects, particularly under the Extensions title, with help from the Scottish Funding Council over the past couple of years. You can find a round-up of 2024-25 CIALL activities in this report on the LSI news page.

Powered by WPeMatico


Tadhail air Island Voices – Guthan nan Eilean