Thoughts on Island Voices

Le Gordon Wells

As we enter August, our various 21st anniversary summer exhibitions are still running in the Hebrides and in Glasgow – though not in all cases for much longer. So if you want to see them on-site, please pay a visit to Taigh Chearsabhagh (North Uist), Museum nan Eilean (Benbecula), Cnoc Soilleir (South Uist), or the Scottish Poetry Rose Garden in Queen’s Park (Glasgow) sooner rather than later! Of course, they will remain accessible online indefinitely through the bold Island Voices links above.

We are very keen to receive feedback, either written or spoken. The poster above gives both a telephone number and an e-mail address where you can leave your own thoughts and opinions in English or Gaelic. (Or you can just leave a comment on this post if you prefer!) At the risk of repetition, we’re interested in the views of active participants in the project as well as viewers and listeners from near and far. If you want some guidance, here’s the sort of thing we’re interested in:

As always we’re keen to receive reflections, suggestions and further questions about our project – not just to help evaluate what we’ve done so far, but also in the hope of stimulating new ideas for what could come next. And we welcome input from all sources, including previous active participants in the project (What did or didn’t work well? What could we have done differently? What did you learn from the experience? etc) as well as viewers and listeners who’ve sampled the materials online, or attended one or other of the various events and exhibitions over the summer of 2026 (What did or didn’t you like about the contents you tried? What would you like to see more of? Did it prompt any memories you’d like to share? Have you got other suggestions? etc).

We are very keen to receive spoken or written feedback in English or Gaelic by phone or e-mail.

You can leave a voicemail at this number: 01463 279110

You can send a written message to this e-mail address: islandvoices@uhicloud.ac.uk

Tapadh leibh!

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Tadhail air Island Voices – Guthan nan Eilean

Scottish Gaelic working paper

Le Gordon Wells

Gaelic recordings on the Island Voices YouTube channel provide the empirical data to inform the Leacan 2 corpus planning project on how the language is spoken in real life. The project is led by Glasgow University for Bòrd na Gàidhlig, with support from the UHI Language Sciences Institute, among others. With the UHI contribution now complete, an edited version of the paper offering applied and sociolinguistic commentary “with a view to identification of features of traditional Gaelic requiring description and guidance” is now made available in the online open access “Working Papers in Urban Language & Literacies” series.

It’s a very interesting series, described in some detail in Working papers for a more open academy, with a mission to develop “sociolinguistic, applied and educational frameworks adequate for the analysis of urban language, literacies, interaction and learning; [as well as] modes of intervention in language policy and practice that are productively tuned to the realities of contemporary urban life”, noting also that ‘urban’ has been dropped from the latest iterations of this statement. That’s a philosophy that fits well with Island Voices priorities, especially following the adjustment away from an appearance of a primarily metropolitan focus…

We’re delighted that the series editors took readily and quickly to publishing Gordon Wells’s paper as “Corpus planning in Scottish Gaelic: A case study”, the first contribution on Gaelic in this quickly growing and highly diverse collection with an extensive and worldwide online readership. (It’s also available through their Academia.edu page.) In the spirit of open collaboration they also encouraged us to share the paper on our own Research/Reports page, where readers will now find a new link. Taing mhòr, a chàirdean!

Here’s the abstract:

A detailed example is presented of an aspect of Scottish Gaelic corpus planning, focussing on the use of community-based authentic speech recordings to inform the production of guidance on a range of grammatical issues. Attention is drawn to a salient distinction between dialectal and idiolectal variation in relation to this task, and there is discussion of particular syntactic and semantic forms selected from the project’s stated terms of reference. Concluding remarks suggest and discuss issues for further research. Deeper linguistic analysis of the “phrasal verb” in use should throw light on some of the complexities of bilingual competences that may not currently be fully acknowledged in the Scottish Gaelic context. These complexities also have significance for the broader consideration of key practical planning processes entailing community participation and empowerment, as well as the construction of effective linguistic “authority”. These issues highlight the complex nature and significant scale of the challenges involved in effectively conducting this kind of work in a way that will gain real traction at community level in a context of ongoing language shift away from bilingualism towards increasingly monolingual use of English.

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Tadhail air Island Voices – Guthan nan Eilean

UHI Archive Announcement

Le Gordon Wells

The University of the Highlands and Islands (UHI) has been awarded £42,527 from The National Lottery Heritage Fund to safeguard and share a unique multilingual record of island life and connections.

Hebridean communities are well accustomed to a bilingual outlook on everyday life.

Photo: Gordon Wells

The funding will support the creation of a permanent digital archive for the ‘Island Voices / Guthan nan Eilean’ project, a 21-year community initiative capturing “slices of life in and beyond the 21st century Hebrides.”

The collection includes more than 500 films recorded in almost 40 languages, alongside extensive web content documenting the project’s development. It will be developed into an important, publicly available UHI Archive resource, which will support and develop research across and beyond the UHI partnership. UHI will contribute £29,955 to the project, bringing the total investment to £72,482.

Co-created with communities in the Hebrides, across Scotland and internationally, the project captures the voices of people sharing their own stories, memories and experiences in their own words. While rooted in Gaelic-speaking communities, the collection reflects a wider, globally relevant story of linguistic diversity and language change.

Launched in April 2026, the project will secure more than 1,000 digital items, including video recordings and associated online materials. Without this work, there is a risk that this unique digital and linguistic heritage, currently held across external platforms, could be lost or become inaccessible over time. The new archive will safeguard the collection to recognised preservation standards and make it freely available to the public.

Alongside the archive work, a programme of public engagement activity is planned throughout 2026, including exhibitions and events in island and mainland locations such as Uist and Glasgow. This will culminate in a public launch in September, marking the project’s 21st anniversary.

newly released compilation video brings together highlights from across the collection and is already being used to introduce the project to new audiences and support discussions with community partners on upcoming exhibitions and events.

Gordon Wells, Island Voices Archive Manager and researcher, said:

It’s been a unique pleasure and privilege to be a part of building up this body of work over the past two decades and more. Not only does it platform the rich oral heritage of the contemporary Hebrides, but it also makes mutually beneficial and creatively stimulating links with other communities too. The film is a taster, and testament to the willing “no bother!” co-operation of hundreds of participants over the years in this community project, from North Uist to North-east India and beyond. We hope it will stir memories and interest!

Professor Conchúr Ó Giollagáin, Director of the UHI Language Sciences Institute, said:

The staff of the UHI Language Sciences Institute welcome this opportunity to participate in this important project. Archiving the recordings of vernacular speakers will help put their voice at the heart of how we understand Gaelic and other minority cultures.

Philippa Currie, UHI Archivist and Information Governance Manager, said:

UHI Archive welcomes this exciting opportunity to work with depositors to create a remarkable resource for the Gaelic Language that will support the work of research and communities the world over.

By combining academic expertise with grassroots participation, the project also offers a model that could be adapted by other minority language communities in Scotland and internationally.

Further details on public events and the archive launch will be announced in due course.

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Tadhail air Island Voices – Guthan nan Eilean

Island Voices Compilation 2005-2026

Le Gordon Wells

Who remembers Island Voices’ first ever films from the Craigard Centre in Lochmaddy, North Uist? Still among our favourites, short clips from these earliest recordings set the opening scenes for this compilation video tracing the project’s evolution from 2005 right up to 2026, as our 21st birthday approaches in September.

With over 500 videos now on the YouTube channel, it’s been no small task to pull together something short but representative. From Craigard the compilation moves quickly on through the Uist and Barra Children’s parliament and Roddy Red Tie’s croft to Am Pàipear’s feature story on the renowned Norman Maclean. It’s a small step from Norman’s diverse skills and talents to the project’s multilingual and international connections through webinars, documentary adaptations, and geographical and literary extensions across Scotland, Ireland, England and Wales and still further afield in other island and mainland, rural and urban contexts. Coming full circle, samples of longer local recordings highlight the connected community base in which the project is rooted, and the film concludes with Norman recalling his own permanent return to the Hebrides in his trademark inimitable style – though Craigard’s Donald Mackinnon has the very last word!

We’ve had to leave a lot out, which wasn’t easy, but we’ve sampled material from ten of our collections in the hope that viewers may be inspired to dig deeper into any of these links, or indeed into other pages on this site!

These are the sources from which we’ve drawn for this compilation:

Series 1 
Series 2: Outdoors 
Series 2: Generations 
Series 2: Enterprise 
Norman Maclean
Talking Points 
Other Tongues
Extensions
Stòras Beò
Shortcuts

Over coming months leading up to September we’ll be looking to “tour” the full project at various locations – both Hebridean and across the mainland – and in various ways, in order to mark the twenty-one year milestone. September will also see the completion of a permanent open access Island Voices Multilingual Archive in the University of the Highlands and Islands, thanks to support from the National Lottery Heritage Fund!

This film is a taster, and testament to the willing “no bother!” co-operation of hundreds of participants over the years in this community project, from North Uist to North-East India and beyond. We hope it will stir memories and interest!

 

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Tadhail air Island Voices – Guthan nan Eilean

Shaetlan Connections

Le Gordon Wells

The Shetland poet Christie Williamson has brought the work of the “Five Writers” in our Extensions initiative to full completion by composing and narrating Shaetlan versions of the four other writers’ documentaries.

Christie writes:

My journey through Island Voices has been one of almost entirely unalloyed delight. Its Shetlophony is perhaps the defining feature of my poetry, though I still of course believe its themes and techniques warrant serious critical exploration.

It is good and healthy to examine one’s own journey as a writer and I was and am grateful of the opportunity to do so – to do so publicly is a bonus. Furthermore, seeing my video translated into other languages was a buzz for me, so I was joyed to be offered the opportunity to make Shaetlan versions of the other poets’ videos.

Any translation project is best approached with a healthy degree of trepidation – language is tricky, is core to us, is more or less entirely arbitrary symbolism. I may be betraying my non linguistic background here, but what I’m saying is I knew I could express my own journey as a writer in Shaetlan – arguably can only express it in the core language of my being.

But could that language carry Donald’s journey? A writer I’ve known and admired for many years, grafted on to the Shetlocultural landscape but whose primary languages of output are English and Gaelic? Or Audrey’s, whose journey through colonialism, race, education and creativity was from a far more radically different background to my own?

Of course, there really aren’t that many ways to find out, and unfinished is always an advance on unbegun, so I started exploring the transcripts and videos, thinking then speaking how the same things can be said in Shaetlan, then finally writing, which is a scarily committal thing, and finally speaking again.

Some years back now, a friend of mine was translating some poems of mine into Spanish ahead of a festival in Latin America, and we both agreed that translation was the ultimate form of close reading. I’ve really enjoyed having the chance to stretch Shaetlan’s function to tell these stories. The most rewarding thing? Has to be getting to know the stories themselves, the resonances and contrasts of how the poets and poems emerged through the languages and cultures which made and make them, and how those languages and cultures evolve through the poets and their work.

Here are the new videos:

Donald:

Clilstore transcript: https://multidict.net/cs/12711 


Martin:

Clilstore transcript: https://multidict.net/cs/12712


Audrey:

Clilstore transcript: https://multidict.net/cs/12709


Ifor:

Clilstore transcript: https://multidict.net/cs/12710


 

 

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Tadhail air Island Voices – Guthan nan Eilean

Tomás Ó Con Cheannainn

Le Gordon Wells

Brian Ó Curnáin writes about Tomás:

Tá sé 98 (beidh sé 99 i mbliana le cúnamh Dé ; rugadh 1927 é). As Baile Chláir na Gaillimhe a mhuintir agus bhí muirín mhór acu. Micheál Ó Con Cheannainn a athair, fear a bhí an-bhródúil as a oidhreacht Ghaelach. Tá caint an athar ar doegen.ie agus ar duchas.ie. Bhí Micheál san IRA agus tá video dhá dhreatháir Seán Ó Con Cheannainn a bhí san IRA 1916 ag caint ar 1916 ar youtube. Is iomú duine cáiliúil a thagadh ar cuairt ag Micheál, agus a shuíodh san áit a bhfuil na ceamaraí againne, ar thóir Gaeilge agus ceoil: Ciarán Mac Mathúna (RTÉ), Séamas Mac Aonghusa (RTÉ, Roinn Bhéaloideas Éireann), Ciarán Bairéad (Roinn Bhéaloideas Éireann) agus Máirtín Ó Cadhain (údar mór próis na 20ú haoise).

Chaith Team a shaol san áit ar rugadh is ar tógadh é, Rinn na hAirne, Eanach Dhúin, Co. na Gaillimhe. B’as ceantar Mhaigh Cuilinn a bhean Máire, a cailleadh os cionn deich mbliana ó shin. Tá a chlann mhuirneach iníon ar fad i gContae na Gaillimhe. Bhí bád ar Loch Coirib acu agus páirt d’oileán ar an Loch. Bhíodh Micheál ag déanamh poitín agus siar thar an Loch a bhíodh an stil aige. Tá Tomás fós ag tiomáint a tharracóir (tractor) agus ag feirmeoireacht beagán. Tá an-suim i gcapaill aige, san iarann agus sa ngaibhníocht agus san fheirimeoireacht. Bhí sé ina mhaor ar an Mart in Áth Cinn. Bhí sé ag obair ar an scéim uisce áitiúil. Bhí baint aige le athchóiriú an phinniúir liathróid láimhe (handball alley). Is maith leis an chraic, an spraoi, ceol agus amhráin agus damhsa, an foxtrot ina measc. Tá guth deas amhráin aige agus is iomaí amhrán a chas sé ag cruinnithe agus scléipeanna.

He is 98 (he will be 99 this year, God willing; he was born in 1927). His family is from Baile Chláir, Galway and they had a large family. His father was Micheál Ó Con Cheannainn, a man who was very proud of his Irish heritage. The father’s speech is on doegen.ie and duchas.ie. Micheál was in the IRA and there is a video of his two brothers Seán Ó Con Cheannainn who was in the IRA in 1916 talking about 1916 on youtube. Many famous people have visited Micheál, and have sat where our cameras are, in search of Irish and music: Ciarán Mac Mathúna (RTÉ), Séamas Mac Aonghusa (RTÉ, Department of Folklore), Ciarán Bairéad (Department of Folklore) and Máirtín Ó Cadhain (a great prose writer of the 20th century).

Tom spent his life in the place where he was born and raised, Rinn na hAirne, Eanagh Dhúin, Co. Galway. His wife Máire, who died over ten years ago, was from the Moycullen area. His lovely family, all daughters, are in County Galway. They had a boat on Loch Corrib and part of an island on the Loch. Micheál used to make poitín and back across the Loch he had a still. Tomás still drives his tractor and does a little farming. He has a great interest in horses, iron and blacksmithing and farming. He was a foreman at the Mart in Headford. He worked on the local water scheme. He was involved in the renovation of the handball alley. He enjoys fun, music and singing and dancing, including the foxtrot. He has a beautiful singing voice and has performed many songs at meetings and gatherings.

Here is Brian’s latest recording with Tomás:

Clilstore transcript: https://multidict.net/cs/12694

It’s a delightful addition to the Island Voices Videos channel to sit alongside the five previous recordings of Tomàs in conversation with Pádraig Ó Fathaigh that are already in our Stòras beó/Taisce bheo collection. And Brian promises there are more to come still!

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Tadhail air Island Voices – Guthan nan Eilean

Cathie Laing in Conversation

Le Gordon Wells

North Uist resident Cathie Laing talks to Island Voices co-ordinator and fellow Aire air Sunnd participant, Gordon Wells. As with other longer conversations we’ve recorded, we’ve divided this one into two halves initially, which we present first unfiltered and unsubtitled.

For the benefit of learners or non-speakers of Gaelic we’ve also cut these recordings up into smaller chunks, complemented with Clilstore transcripts and optional subtitles (which are auto-translatable into multiple languages), following the same practice adopted for Paul McCallum and James MacLetchie.

In Part 1A Cathie explains how she can trace her ancestors back as far as 1715 through the oral history kept alive in her family tradition. Her great-grandmother had vivid tales of Bonnie Dundee and it was her grandfather who introduced her to historical figures such as Seumas a’ Ghlinne (James Stewart of the Glen) in a home without books. With Perthshire antecedents, Cathie was actually born in Ross-shire into a travelling family. When she started school she was obliged to attend for a minimum of 100 days in the year. As soon as that time was up the family would hit the road, usually around April. (Clilstore unit: https://multidict.net/cs/12571)

In Part 1B Cathie relates how the family would travel around the Highlands by horse and cart. Her father would break horses in for forestry work, and pony trekking was also popular. But with the advent of tractors horses became less plentiful, so in the mid-fifties the family started coming to Uist, which was known for good horses. She explains the different methods of transporting horses across by boat from Berneray and Eriskay, before walking them to Lochmaddy. Horse boxes came later. To an eight year-old girl it seemed a free and healthy lifestyle. (Clilstore unit: https://multidict.net/cs/12572)

In Part 1C Cathie starts to talk about her schooldays, which would begin around October when she would have some catching up to do. Over the years the periods of travelling shortened as her father recognised that way of life was passing. Age restrictions meant Cathie couldn’t go into nursing, her preferred option, on leaving school, so she got an office job instead, until marrying Alasdair, whom she met in Uist. She didn’t find Uist Gaelic particularly difficult or different in comparison with her own. In fact she liked to hear the different varieties in each of the islands. (Clilstore unit: https://multidict.net/cs/12573)

In Part 1D Cathie describes how her father worked and saved so they could move from their big winter tent into a house in Beauly, where she attended school. Even after starting work she would still need to go travelling over the summer. She enjoyed her office job, and appreciated that her employer was not concerned about paper qualifications. It was nerve-racking for her to ask for time off to travel, but they came to an amicable agreement. She lived in different worlds and different languages including English, Gaelic, and Scots. Settled in Uist for more than 50 years, she can still remember some words of Beurla Reagaird, the travelling people’s “cover tongue”. (Clilstore unit: https://multidict.net/cs/12574)

In Part 2A Cathie recalls having an inspiring teacher at school who took a positive interest in her detailed knowledge of her family tree, and encouraged her to take up reading at home. Cathie notes how she passed this passion on to her own children and grandchildren, and views their success as a legacy from this teacher. In her own reading she came to notice sometimes troubling discrepancies between written histories about travelling people and her knowledge of the oral tradition. She is still an avid reader in both English and Gaelic, particularly of Carmina Gadelica which contains contributions from her great-grandfather and great-great-grandmother. (Clilstore unit: https://multidict.net/cs/12575)

In Part 2B Cathie talks about her love of music and songs, which she was able to explore more deeply on retirement when she followed a course in Gaelic language and music at the college in Benbecula. Though not an instrumentalist herself, she appreciated the opportunity to research the stories behind some of her favourite songs. She retells in detail the life-story of Catherine Maclean and her various marriages and children in the time of Mary of Guise, as referred to in the song of Seathan Mac Righ Èireann. She remains enthralled by the stories that are captured in such songs. (Clilstore unit: https://multidict.net/cs/12576)

In Part 2C Cathie moves on to talk about her memories of how things were when she first came to live in Uist. Almost without exception, everyone spoke Gaelic, and she felt at home with the way of life, hearing the same language, stories and songs with which she was already familiar. She recalls how her grandfather had used to sing a particular song to her in her childhood, a song which he placed in Iochdar, though to her knowledge he had rarely if ever visited Uist. She was delighted many years later, when doing a home visit in Iochdar, to find out that the lady she was calling on could point her to the exact spot where the tale told in the song took place. “Every stone has a story!” (Clilstore unit: https://multidict.net/cs/12577)

In Part 2D Cathie expands on the placename theme, referring to various key locations near her home which have or had particular names that captured something of their history and significance. Linking this to the common practice of sloinntearachd – identifying community members through their genealogy – Cathie and Gordon conclude their conversation by uncovering some previously unknown mutual acquaintances and family connections, which were often disrupted by the large scale emigration from Uist of earlier generations. (Clilstore unit: https://multidict.net/cs/12578)

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Tadhail air Island Voices – Guthan nan Eilean

CIALL Session 2024-25

Le Gordon Wells

The Collaborative Interdisciplinary & Applied Linguistic Links initiative (CIALL) based in the Language Sciences Institute of the University of the Highlands and Islands has been able to support a number of Island Voices small projects, particularly under the Extensions title, with help from the Scottish Funding Council over the past couple of years. You can find a round-up of 2024-25 CIALL activities in this report on the LSI news page.

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Tadhail air Island Voices – Guthan nan Eilean

Catalan Collection

Le Gordon Wells

Noèlia Díaz-Vicedo is the third member of the multilingual poetic partnership pulled together by Martin MacIntyre for his “A’ ruith eadar dà dhràgon” collection of poems in four languages, in which she provides the Catalan input alongside Ifor ap Glyn’s Welsh to complement Martin’s Gaelic and English. Noèlia is a member of the Association of Catalan Language Writers (AELC, Associació d’Escriptors en Llengua Catalana) which brings together writers from all of the Catalan speaking territories. She is, in addition, a distinguished academic (see also below) affiliated to the University of the Balearic Islands (Universitat de les Illes Balears).

While we’ve already managed to feature her two UK-based partners in our Extensions initiative, we have not yet been able to platform Noèlia in the same style, regrettably. In the meantime, while she has already provided Catalan versions of the documentaries for Ifor and Martin, we’re delighted now that she has provided the same service for our three other featured writers – Audrey West, Donald S Murray, and Christie Williamson. This means we now have five videos in total in our Catalan Selection among all our Other Tongues!

Audrey:

Clilstore transcript: https://multidict.net/cs/12484


Donald:

Clilstore transcript: https://multidict.net/cs/12485


Christie:

Clilstore transcript: https://multidict.net/cs/12483


Noèlia writes:

“The project ‘Island Voices’ is more than an educational tool or a literary collection of poetic voices. It is a necessary dialogue between cultures. It goes beyond understanding translation merely as transference between words. To translate the works of Martin McIntyre, Ifor ap Glyn, Audrey West, Christie Williamson and Donald Murray has allowed me not only to explore their processes of creativity but also to connect with their personal experiences and engage with their vision of the world. Languages are a form of communication and they allow us to approach other forms of thought. I am honoured to have had the opportunity to contribute to this wonderful project and bring these brilliant poets into Catalan.”

We’re delighted to have you in our company, Noèlia!

Noèlia’s academic bio:

Dr. Noèlia Díaz-Vicedo is a poet, academic and translator. She completed her thesis, awarded with the Premi Països Catalans by Institució Lletres Catalanes, at Queen Mary University of London on the poetry of Maria-Mercè Marçal entitled Constructing Feminine Poetics in the Works of a Late Twentieth-Century Catalan Woman Poet: Maria-Mercè Marçal published by MHRA (2014). She has translated The Body’s Reason (Raó del cos) by Maria-Mercè Marçal, translated from Catalan into English with Montserrat Abelló, Bilingual Edition, (Francis Boutle Publishers, 2014). She has also translated the books Terra de mai and Raó del cos into Castilian Diré tu cuerpo (Editorial Ultramarinos, 2020). She has also translated into English poems by Lola Nieto and Chilean poet Carmen García Palma and from English into Catalan poems by Canadian poet Peter Jaeger. She co-edited the literary journal Alba Londres. Culture in Translation (2011-2015). She has participated in the book A’ Ruith Eadar Dà Dhràgon, Corrent entre dos dracs translating Martin McIntyre’s poems into Catalan. She has published her poetry in various magazines and anthologies in Spain, Greece and USA. Her first collection of poems Bloody Roots/ Arrels sagnants (Bilingual Catalan-English) was published in 2017 by Francis Boutle Publishers. Her second collection Cercles (ex)cèntrics was published in 2023 by Edicions Tremendes. She is a Senior Lecturer at the Department of Catalan Language and Literature and General Linguistics (University of Balearic Islands) where she researches on Contemporary Catalan and Comparative Literature.

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Tadhail air Island Voices – Guthan nan Eilean

Farsi Reflections

Le Gordon Wells

The CIALL-supported Island Voices presence at NATECLA 2025 has paid immediate dividends, in the form of a new Farsi version of the “Multilingual Memories: Birmingham 1984” film looking back 40 years at the Industrial Language Training Service.

Evidently it struck a chord with conference participant Parnaz Pourshakibaee, who showed immediate interest in the theme, and responded with enthusiasm to the invitation to make a new version in her own language.

She also provided a full transcript of her voiceover narration, so enabling us to create another first – a Farsi Clilstore unit, incorporating full text with the video embedded so you can listen and read at the same time!

Wordlinked Clilstore transcript: https://multidict.net/cs/12522


Currently affiliated with South and City College Birmingham, Parnaz teaches across multiple levels and begins a new role in September as an Assessor and Trainer of Foundation Studies at the same institution. With a background in TESOL and TEFL, and experience in translation and bilingual communication while working with Médecins Sans Frontières between 2010 and 2013, she values multilingualism and the importance of learners’ mother languages in effective cross-cultural communication and language learning.

Parnaz writes:

“My introduction to the CIALL project commenced with my attendance at the NATECLA conference 2025, where I had the fortunate opportunity to meet Sardul Dhesi and Harmesh Manghra. Through their kind introduction, I became acquainted with the CIALL project and their colleague Gordon Wells, who encouraged me to translate the introductory clip of ‘Multilingual Memories, Birmingham 1984’ into Farsi.

These multilingual colleagues shared their language memories, reflecting on and exploring how their mother tongue, alongside formal English, has shaped their identity and teaching practice, and why the preservation of heritage languages is so important. Their reflections on multilingualism and their nuanced understanding of students from diverse linguistic backgrounds resonated deeply with me, given my commitment as an EFL/ESL teacher and my experience as a bilingual Farsi-English speaker. Consequently, I was inspired to want to share these insights with the Persian-speaking community.

Through my small contribution in translating and narrating the film in Farsi, I reflected more than ever on the role of other languages in a multicultural society.

I believe that the ‘Island Voices’ project is more than merely an educational resource; it represents an environment in which multilingualism is celebrated as a valuable asset. The ‘Extensions’ section, and particularly the Birmingham film for an English urban context, illustrates how linguistic and cultural diversity is an integral part of life throughout the country, with valuable support from the tireless and ongoing efforts of linguists and other dedicated organizations.”

For our part, we’re very grateful for Parnaz’s informed and skilful engagement with our multilingual mission, and the addition of yet another language to our Other Tongues portfolio. We now have the Birmingham film in 15 different languages, with 8 female voices and 7 male. And we’re always interested in new contributions!

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Tadhail air Island Voices – Guthan nan Eilean